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Perry Martin Vocals and Guitar

Perry Martin
Vocals & Guitar

Perry was born on the other side of the world in London, England but moved to Queensland, Australia as a child. He came from a family steeped in the entertainment field. His mother was a dancer and his father was singer who travelled England, Australia and the Far East and had also worked with Perry's grandparents when he was younger as part of a vaudeville style musical-comedy trio known as "The Merry Martins". "It may sound cliche but music is in my blood".

At a very young age Perry wound up playing in a country showband, "The Donny James Show" and toured South Vietnam during 1968 -69. "I was helping out my Dad who was running a Booking Agency in Danang, Vietnam.

He would bring in acts from all over the world to play for the American and Australian troops." One of those acts was the "Donny James Show". Perry became friends with the band and went to their shows often to help move equipment and set up. They'd heard Perry play guitar and were quite impressed with his knowledge of chords and how quickly he could learn a song.

That particular incarnation of the band left Vietnam after a couple of months but then Donny returned a month or so later, with a drummer, pedal steel player, female vocalist but no bass player. "I remember Donny asking me if I thought I could play bass. Without even thinking about it I said I could. I auditoned for him by playing along to several country songs I'd never heard before, just by listening to the melody and watching the chord changes. Donny was impressed and I was hired on the spot!"

The band toured the length and breadth of South Vietnam and soon gained a reputation for being one of the few bands that would play just about anywhere. "We went places no other bands would go. Several times bases we were at came under attack while we were playing and we had to take an extended break in one of the bunkers until things cooled off!" The band were eventually given there own weekly television show on the the Armed Forces Radio and Television Network. The show was called, appropriately, "Nashville Vietnam". "We would generally record four or five shows at a time in the studios in Saigon and then tour for a few weeks."

The female vocalist of the band was Leta Frizzell, daughter of country legend Lefty Frizzell, who later toured with the band himself for a couple of months as a guest star. They also had guests on their TV show such as Hank Snow Jr. and Sheb Wooley of "Rawhide" and Purple People Eater fame. "You have to realize that, at the time, I came out of a musical environment where I was listening to and playing Beatles, Rolling Stones, etc. Other than Sheb Wooley, whom I recognized from "Rawhide, I had no idea who any of these people were. I look back on it in some
amazement - - I was actually working with a country legend for a while there!"

Perry finally felt the need to return to Australia, which he considered home at the time and so he left war-torn Vietnam for the sunny beaches of his home town in Queensland. However, 18 months of experience working with pro musicians in a place like Vietnam had left its mark on him; he felt nothing in common with his old high school friends and it wasn't long before he felt the urge to travel overseas and play more music. His father had left Vietnam not too long after Perry and he, too, had the urge to get back to the performing side of the entertainment world. So, together with an old musician colleague of Perry's dad, they formed a music/comedy trio and set off for the far east once more.

In those days Hong Kong was a British Crown Colony, which gave British subjects automatic right of abode, so they used it as their base to operate from while they toured U.S. Military Bases in Okinawa, Japan, The Phillipines, Taiwan and Thailand, as well as playing the night club and hotel circuits in Singapore and Indonesia. After a year of this the trio disbanded and Perry and his dad settled in Hong Kong. Perry's father retired from performing and became a partner in an extremely successful pub. Perry, on the other hand became involved in the music scene in Hong Kong.

At the time there was a fairly large English-language pop scene in Hong Kong with many Chinese pop artists recording albums in English. These albums mostly consisted of cover versions of already popular American and English pop songs. After working with a number of bands and then finally deciding to go solo, Perry started getting noticed by the local press and receiving favorable reviews of his performances. By the late 1970's he came to the attention of House Records. a small record label looking for artists with original material. "You might say they were ahead of their time in that they were almost like one of today's indie labels. I was given carte blanche to do whatever I wanted - - which was both a blessing and a curse. I did score one hit from the album, a song called "It's Over" which hit Number 4 on the pop charts but too much of the music on the album was self-indulgent and non-commercial." However, on the strength of the single the album did well enough and was well-reviewed by the press. Perry had at least made his mark on the music scene and was a known and respected singer/songwriter.

In the period between his first and second album Perry formed a music production company with another musician friend and they turned it into one of the most successful commercial jingle companies in Hong Kong. "There was a period there where I'd be watching TV in the evening and hear at least one of the jingles we'd written and produced in every commercial break!" They also wrote songs for movies, wrote and produced songs for other local artists and produced six albums for WEA (Warner-Elektra-Asylum) HK.

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